it's a little bit of a used theme by the end
There's not much to it naturally - and there's nothing particularly wrong with any of the elements or tracks. It's just that it lacks a real purpose (it just mainly "hovers").
it's a little bit of a used theme by the end
There's not much to it naturally - and there's nothing particularly wrong with any of the elements or tracks. It's just that it lacks a real purpose (it just mainly "hovers").
damn
You are good. This song speaks for itself.
Thanks!!!
this is honestly really sweet
I like this. This seriously rocks. Fav'd. Very good work. Wish there was more stuff like this on this website.
Thanks again! Much appreciated.
way way too much compression
This would have sounded great but it's ruined by ridiculous amounts of distortion.. it sounds like it's been processed through a stomp box or two.
lol
i don't know how anyone could give you less than10
people. get a grip. this piece is ridiculously well recorded and produced. i am completely serious. good luck trying to achieve half of what was done here. The clarity is on par with what you would get from a professional studio with engineers with 30+ years of experience.
thanx for your nice words and for the very positive opinion on my tune
i must say that i have better stuff here on NG, recorded in studios (Thracian Jazz for example)
now with my new guitar and soundcard i hope i'll make better stuff ;)
this is flippin hilarious
sweet. you would probably like a particular vst instrument called "mr. alias" by "insert piz here" (google it and download his stuff...it rocks).
anyway. this is some funny stuff man.
thanks ya this was crap but awsome when it was made i used goldwave to do it..
but thanks ya im looking for some good VSTS for my FL lately :) so thanks ill try to find that VST :)!
wonderful
I can imagine some metallica and symphony style strings coming in at 1:15...
it's a little bit of crazy description (don't know about your storytelling ability) and the second section of the song isn't as good as the first. But that first part when everything jumps in was enough to warrant an automatic 5/5 and 10/10. You could probably microphone someone taking a crap after the first 30 seconds of this song and I still would have given it a top score. the sound quality is very very good as a part of this.
Haha, well...I just write what comes to my mind and for this I just had a crazy story like this. I mean...isn't dad'n me already a bit crazy? ;)
Well, it's always a matter of taste if you like something or not, the most important thing is that you liked the song in general so I'm already happy with that. :)
Thanks for the nice comments there man and thanks for da review!
phenomenal
the chord progression is superb. crafted so intensely finely. i am amazed by this work. i had to favorite this one. care with which it was put together is just so good.
not as cool as the previous one I listened too...
but still plenty good. The main thing I notice here is that it is programmed simply so intricately that it keeps my interest really well. I believe it's simply a more sophisticated type of music. This one appears to have some rather abstract parts - which is still ok, considering you were utilizing the ts404 and 3xOsc for [everything?...]
Ha, not everything is 404's or xosc's... Only the lead synths, the wobbles, and the stingy-kind of glitch. They are not default either, I send them through a lot of FX filters and such, work some unique sounding stuff. I am trying to find a Kick that would work better for this.
this is really good
Very inspiring. It's too bad stuff like this doesn't get more attention...it really should. It shows a level of programming ability that not many people possess. I especially can appreciate the drum breaks and tweaks on the voice. Whereas there are those who really have a knack for making typical top 5 techno tracks with the same exact beat and such over and over again - this stuff tends to be fresher to my ears while still maintaining a great level of quality.
Thanks. You're kind :)
SuperGoodSound is a composer and sound designer collaborative between Josh Hunsaker and Johnny DeCoste with combined credits spanning some of the largest toy and game releases of the past decade and work with stars like Pete Townshend of The Who.
Age 40, Male
Sound Designer
Working
San Francisco, CA
Joined on 11/14/07