needs work
It's a little rough to be sure...but I won't try and you write you off as simply putting it out there as a joke. You could still make something along this line work - in fact some of the dissonant elements remind me of my own really (well, really really) early work...
good
especially with the organ parts. could have been a touch more full...I'm nitpicking.
i found the mix of styles quite refreshing
It's like what songs in the Bond games should have been...that's probably the best comparison I can make. The energy is good - the builds could be a tiny bit better. Shows tremendous promise though. I could also imagine a use similar to that of the Bourne series of movies at parts.
it's catchy
The quality of the instruments seems to range from the midi-style brass pad range to a great sounding live guitar tho. I think I would have given it a 10 if all the instruments were around the same quality range...came across as a little garish at parts - still extremely good however. Just not perfect to my ears.
this....this is gold
the playing is great. I mean really really good. The composition is really really slick. Congrats on having that much talent and putting it to use!! Especially at 2:11. Drop-dead gorgeous with the piano my friend. This is a very special piece.
thanx ... thanx a lot
first i read "The composition is really really sick" :)))) then i re-read ...
I have no clue why someone would rate this a zero.
It's not amazing...but it's not a terrible song. Some parts are really quite entertaining. I would rate it a little higher but I think you've got more potential than what you're showing here. Good use of bitcrushing as well. The phasing/panning effects are extraordinarily well executed. Again - saying this is a zero is really a dumb thing to conclude. Good work here.
not half bad
this is really quite good. fresher than a lot of stuff I hear around here that gets raved about...
it really turned out nice
A clean and melodic adaptation. I like the ambient use of slayer and how you did the builds. Very good orchestration. It might be a touch long (probably better suited as a 2 and half minute type of song) but otherwise well done.
lol ya it is a little long
SuperGoodSound is a composer and sound designer collaborative between Josh Hunsaker and Johnny DeCoste with combined credits spanning some of the largest toy and game releases of the past decade and work with stars like Pete Townshend of The Who.
Age 40, Male
Sound Designer
Working
San Francisco, CA
Joined on 11/14/07
thick shit ultimate sound 
