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SuperGoodSound

348 Audio Reviews

170 w/ Responses

woah there

WHAT'S THIS, A REALLY DECENT NEWGROUNDS SONG??

No, no. It can't be. Such things just don't exist. This must be the same thing as a unicorn or something. Seriously, if this song actually existed...I might actually believe this was from the radio - except better.

I voted a 5. I'd vote a 6 if this song wasn't so mythical and actually was real, but it must all be a dream.

kiwiaddict responds:

wow. thanks for such a wonderful comment :)
really!

holy crap!!

this TOTALLY reminds me of the last time I took a REALLY CREEPY BICYCLE RIDE. :24 is like almost what I was even hearing in my mind as I hopped on my pink and yellow schwin at midnight two days ago and started growling at people on the street. They were all like "WTF???" I just threw them some candy and called it a night. Creepy bikes rides sounds like a good name for a movie too.

I mean, heck - if I lived in the 60's - i'd probably be toting around my walkman listening to this mutha on repeat all day! Just like that.

the moon just exploded

holy freaking yeah dude, when a moon explodes Imma going to think of this caaahrazy song right here. I'll tell you what, you really nailed the exploding moon feeling. Gave me deja vu to the last time the moon exploded really. Just dang. How'd you even do that? Great job though.

not going to lie, that could use some work

there's distortion everywhere, levels are a little wonky/hard to hear much of the time. The flow seems decent enough but it's hard to pick up a lot of it. The stock plugins in FL Studio don't really do any justice to what you're trying to do I think. Could have potential if properly recorded and staged but it's suffering from a lot of misgivings in the production realm.

FMOFMUSIC responds:

yeah, i know the levels are a little screwy and the song could use some work on the eq side however the computer that this song was recorded on was stolen and the project was lost if i still had the raw files for this there's alot i would have liked to change but because the raw files are gone there's not much that could be done and this project sits at a stand still.

it's passable

a little too cutesy and I just have no idea why I would typically want to listen to something like this

Funny track to use just for kicks I suppose

this is so good it's a little ridiculous

not even sure what to think anymore getting to about half-way through.

If only video games actually used music that was this incredible. You'd have to be utterly stupid to turn a piece like this down for use in a production game... the game wouldn't even have to be any good and this song would just force it to kick ass.

HOLY CRAP @ 2:30 and beyond. Absurd good.

NemesisTheory responds:

Haha thanks Josh!

That's a lot of really awesome compliments there. <33
I'm really happy you liked it that much!

wow top 5 is good this week

indescribable level of awesome.

Really good singing in this as well, impressive stuff.

sweet groove

A little, little bit atonal at parts. Cool flow to it all though. Pretty effective piece I suppose. Some wierdness here and there with how instruments and fx are interacting, but hey - that's how it goes sometimes.

Thesexpixel responds:

thank you so much! yeah now that i think of it, the strings and the flute arent really syncing up at parts for some reason. well anyways, thank you for the constructive criticism. :D

beginning is great

Love the goldeneye feel to the beginning. Oh dang, that's slick. Also REALLY love the intro of the bells. Not so much on the arp though. Awesome ambient feel to everything. Like the way it's heading @ 1:00 a little more now.

Cool arp that comes in @ 1:20ish. I'm enjoying quite a bit on the whole. Superb work I'd say. Not perfect, but I guess that would have to involve screaming metal guitars glitch breaks at one point in every song for it be perfect to me.

ganon95 responds:

hehe thanks, not everyone is gonna think its perfect tho

SuperGoodSound is a composer and sound designer collaborative between Josh Hunsaker and Johnny DeCoste with combined credits spanning some of the largest toy and game releases of the past decade and work with stars like Pete Townshend of The Who.

Age 40, Male

Sound Designer

Working

San Francisco, CA

Joined on 11/14/07

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