go sorohano
you rock dude. this is pretty dope all-around. smooth and carries itself perfectly. great recording on top of the amazing performance. 2 fricken thumbs up dude. I really really love the guitar on this one though i'll admit above every other part.
f**king jiving. pretty swell.
I rock and I jazz :))
Thanks for review, glad that you like my stuff.
owwie my ears
that lead - is brutal dude. Hold....on, must turn down.... compressor, ugggh. Can't reach ratio knob, fuuuu...
<dies from rms volume level overload>
woah there
WHAT'S THIS, A REALLY DECENT NEWGROUNDS SONG??
No, no. It can't be. Such things just don't exist. This must be the same thing as a unicorn or something. Seriously, if this song actually existed...I might actually believe this was from the radio - except better.
I voted a 5. I'd vote a 6 if this song wasn't so mythical and actually was real, but it must all be a dream.
wow. thanks for such a wonderful comment :)
really!
not going to lie, that could use some work
there's distortion everywhere, levels are a little wonky/hard to hear much of the time. The flow seems decent enough but it's hard to pick up a lot of it. The stock plugins in FL Studio don't really do any justice to what you're trying to do I think. Could have potential if properly recorded and staged but it's suffering from a lot of misgivings in the production realm.
yeah, i know the levels are a little screwy and the song could use some work on the eq side however the computer that this song was recorded on was stolen and the project was lost if i still had the raw files for this there's alot i would have liked to change but because the raw files are gone there's not much that could be done and this project sits at a stand still.
this is so good it's a little ridiculous
not even sure what to think anymore getting to about half-way through.
If only video games actually used music that was this incredible. You'd have to be utterly stupid to turn a piece like this down for use in a production game... the game wouldn't even have to be any good and this song would just force it to kick ass.
HOLY CRAP @ 2:30 and beyond. Absurd good.
Haha thanks Josh!
That's a lot of really awesome compliments there. <33
I'm really happy you liked it that much!
sweet groove
A little, little bit atonal at parts. Cool flow to it all though. Pretty effective piece I suppose. Some wierdness here and there with how instruments and fx are interacting, but hey - that's how it goes sometimes.
thank you so much! yeah now that i think of it, the strings and the flute arent really syncing up at parts for some reason. well anyways, thank you for the constructive criticism. :D
beginning is great
Love the goldeneye feel to the beginning. Oh dang, that's slick. Also REALLY love the intro of the bells. Not so much on the arp though. Awesome ambient feel to everything. Like the way it's heading @ 1:00 a little more now.
Cool arp that comes in @ 1:20ish. I'm enjoying quite a bit on the whole. Superb work I'd say. Not perfect, but I guess that would have to involve screaming metal guitars glitch breaks at one point in every song for it be perfect to me.
hehe thanks, not everyone is gonna think its perfect tho
nice
the harmony is clashing a bit as mentioned. Could be really epic, all mono though for the guitar parts??
I dunno, this could really go somewhere. Need some bang-up mixing help though. Seriously, could be just spectacular. I especially like the tempo change @ 1:07
Jea all mono, getting an audio interface doesnt pay for me cause my guitar and amp are REALY realy cheap.
SuperGoodSound is a composer and sound designer collaborative between Josh Hunsaker and Johnny DeCoste with combined credits spanning some of the largest toy and game releases of the past decade and work with stars like Pete Townshend of The Who.
Age 40, Male
Sound Designer
Working
San Francisco, CA
Joined on 11/14/07
Blue Monk - Backing Track 
-ganon95- The Liquid Fact 
